Sturgill Simpson and the Subjectivity of Art
Last Saturday night, I was in Amsterdam, at the Sturgill Simpson gig at Melkweg. I am a big...
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Author: Matthew Barlow
Broken Social Scene — Live at Third Man Records
Broken Social Scene Live at Third Man Records Third Man Records Broken Social Scene are a massive...
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Classic Album: The Cure — Disintegration
The Cure Disintegration Fiction/Warner The Cure were a requirement for the disaffected youth of...
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Holy Fuck — Deleter
Holy Fuck Deleter Holy Ef Music I first saw Holy Fuck opening for I can’t remember who at...
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The Who — WHO
WHO The Who Interscope The Who formed in 1964, before my parents had even met. My mother...
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I Was Victim of a New Kind of Bank Card Fraud
When you open a bank account, you put your faith and trust in your financial institution....
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Classic Album: Meat Beat Manifesto — Subliminal Sandwich
Meat Beat Manifesto Subliminal Sandwich Interscope Meat Beat Manifesto are a rather odd duck in...
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Lee ‘Scratch’ Perry — Heavy Rain
Lee ‘Scratch’ Perry Heavy Rain On-U Sound Lee ‘Scratch’ Perry is royalty....
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Classic Album: Sloan — Twice Removed
Sloan Twice Removed Geffen Sloan exploded out of the Halifax music scene in 1991, signed to the...
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Major Stars — Roots of Confusion Seeds of Joy
Major Stars Roots of Confusion Seeds of Joy Drag City Records Major Stars are underground legends,...
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Matthew Barlow’s Top 5 of 2019
We launched The Typescript in the middle of May, four-and-a-half months into the year, by which...
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Classic Album: Hothouse Flowers — People
Hothouse Flowers People London Records Hothouse Flowers seem like a band from a different time...
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