Sebadoh’s Bob D’Amico — Feeding off the Audience Experience
[Editor’s note: This is the first of a series of collaborations The Typescript is doing with...
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Category: Features
An Interview with Penalty Box Radio
Growing up in the Nashville area, I found myself one of the few fans of the local NHL team, the...
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A Conversation with Hallelujah the Hills
Hallelujah the Hills are the greatest band you’ve never heard of. Even Spin agrees with...
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Neo-Nazi Déja-Vu, Part IV: Paper Brownshirts
Sol Littman stood up in the back row to harangue the audience at a panel discussion on online hate...
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Neo-Nazi Déja-Vu, Part III: Net Nazi Number One
Milton Kleim surprised me. I had been writing about online neo-Nazis, antisemites, and Holocaust...
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Neo-Nazi Déja-Vu Part II: The Big Lie
“I don’t talk to Jew journalists,” Ernst Zundel shouted into the phone before slamming the...
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NaNoWriMo: The Book-in-a-Month Club
Every November, you may notice some of your literary friends hibernating and intermittently...
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Neo-Nazi Déja-Vu, Part I: Virtual Jackboots
The first hint was a swastika and an SS symbol hastily spray-painted on a plywood barrier outside...
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A Conversation with Collage Artist Michael Sjostedt
Michael Sjostedt is an Easthampton, MA-based artist who works in the medium of collage. His work...
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At Home With Home Body
Home Body hail from the tiny town of Greenfield, in Western Massachusetts. From these small-town...
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From the Tonkin Gulf to the Strait of Hormuz: A Rumor of War
The voices on the tape are clear, but they betray a sense of anticipation and even excitement....
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Portents of Dark Times in Oregon
It is unclear what lessons the Democratic Party will take from the premature end to the Oregon...
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Fables of R.E.M.’s Reconstructed Legend
Last week, I read an article on the early days of R.E.M. in Athens, GA, based on a new book about...
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Suzanne Nuttall’s Northwest Passage
There’s something ineffably Canadian about Suzanne Nuttall’s spring “Pop-Up Tour.” She will be...
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